BUSINESS 128 [M] [1] [2] [3] [4] - Classroom A - Classroom B

Lesson 2: Forming the Foundation

There are two things we do not want to happen in our opening: 1. We do NOT want to confuse the reader, and 2. We do NOT want the reader to resent the writer. If our opening is weak or fuzzy or if the opening has little to do with the rest of the story, we will unfortunately accomplish both.

We don't want the reader to think we're playing games and are not organized. This is a sure fire way to lose the reader. The writer must start things off well so there will be a 'progression of conflict-laden events that will lead to a conclusion." If our opening doesn't push the reader on, then our story goes nowhere. The opening has to set the tone for the rest of the book. Noble says, in Conflict, Action, Suspense, " . . .if we're dealing with a mystery at sea, we wouldn't want to begin with a rambling discourse about the romance of the sea and the artful meshing of clouds and birds . . ."

Our foundation must include:
1. an event that will prove pivotal later
2. one or more characters who will figure prominently later on
3. a writing style that will set the tone for all that follows
Our foundation must be sturdy enough and substantial enough to support our story. Noble asks us to consider this: "Would an opening that develops gradual psychological tension be a proper building block under a story that races from event to event? Probably not. The reader would only get confused because of the change in tone. Would a short, snappy opening be a better block? Probably."

Our opening should have conflict. Whether through dialogue or narration, it must have a touch of atmosphere. You want everything that happens in your opening hook to be linked to later events.

Assignment 2: Read the opening pages of Sylvie and Bruno by Lewis Carroll. Look for conflict, atmosphere. What is the event taking place?

Exercise: Write an opening hook (2 to 3 paragraphs should do it) using one of the following:

  • A woman at her mother's boring and heartbreaking funeral starts thinking she should call off the wedding.
  • A boy is about to go off to college. He places his guitar carefully in the back seat. His mother is standing in the doorway crying and his father is checking the noise coming from the engine.
  • A woman comes home from work and is about to discover her boyfriend's lover, or so she thinks.
  • A man is standing on a railroad bridge looking down into the water twenty feet below.
  • A military officer asks a mystic if he should send his troops into war.

Post your opening hook to the board.

 

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